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Group shots: save faces and lighting before fixing pavers

`group-photo-remove-person` targets minus-one edits in team portraits, family composites, and refreshed campaign groups. The challenge is shared structure: removed subjects often intersect with neighboring sleeves, contact shadows, and floor seams, so broad masks create cloned texture and broken lighting. Set key-light direction first, then repair in layers for edge silhouette, clothing overlap, and ground continuity instead of one-pass smearing. Before release, validate both at 100% zoom and final delivery size so remaining faces stay clear while composition remains natural. For commercial use, recheck likeness permissions for everyone still visible. With light-direction control, layered repair, and permission review, group edits can stay believable and publication-safe.

Recommended steps for group remove-person edits

  1. In `group-photo-remove-person`, mark the subject to remove and note overlaps with neighbors' arms, gowns, or bags.
  2. Relight foot contact shadows to one key direction so the group does not look like everyone brought their own sun.
  3. Export before/after pairs; if the file prints, attach a CMYK soft-proof note.

Group portrait minus-one Q&A

Batch-editing a group portrait—what do you standardize first?
Prioritize remaining faces and group composition before obsessing over perfectly seamless pavers; agree on a maximum shadow-direction error.
Edges look mushy after `group-photo-remove-person`—typical root cause?
Raise source resolution or split hair versus torso masks—low-res group shots glue hair into the background when masks get too wide.
How should extended-family photos stay auditable for external use?
Use `_removed_<subject>` style names and log portrait permissions for family or team releases inside the DAM record.
After `group-photo-remove-person`, foot contact shadows no longer agree?
Repaint contact shadows to one key-light direction; per-person random parameters read like mismatched lighting rigs.
Clothing edges fused with the background?
Split high-frequency detail before background fill, or start from a cleaner capture—soft sources amplify the glued-edge look.
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